| Part of a series on |
| File sharing |
|---|
| Technologies |
| Development and societal aspects |
|
| Non-public file sharing |
| File sharing networks and services |
| By country or region |
The legal issues in file sharing involve violation of copyright laws as digital copies of copyrighted materials are transferred between users.
The application of national copyright laws to peer-to-peer and file sharing networks is of global significance. Peer-to-peer ("P2P") technology allows people worldwide to share files and data, and since this includes some that is subject to copyright, it has been targeted by rights holders, although peer-to-peer networks can be used for legitimate purposes.
The architecture of P2P systems vary – some rely upon a centralized server, others are decentralized with no one site operating the system. Newer P2P system architectures often include measures to conceal the identities of senders, recipients and material.
Contents
|
The challenges facing copyright holders in the face of file sharing systems are quite novel historically and have highlighted many new challenges in both theory and practice:
New copyright laws and infrastructure has been created to provide the internet technology, which promotes creativity and the sharing of information, with the ability to file share legally and on your own terms. As creators and members of the social online community, we now have the right to distribute our work as we see fit. The notion of "All Rights Reserved" does not fit properly with the nature of the internet and with the culture that is constantly evolving as a result of its capabilities. Even things like Wikipedia, which in its nature does not fit the mold of traditional copyright laws, uses new licenses to publish, edit, and share information to anyone. The legal components that we in place when file sharing first started to create legal problems, for example the Napster lawsuit, have been reworked to allow online sharing to be done legally.[1] [2]
A secondary liability case in Australia, under Australian law, was Universal Music Australia Pty Ltd v Sharman License Holdings Ltd [2005] FCA 1242 (5 September 2005). In that case, the Court determined that the Kazaa file sharing system had "authorised" copyright infringement. The claim for damages was subsequently settled out of court.
In the case of AFACT v iiNet which was fought out in the Federal Court, an internet service provider was found not to be liable for the copyright infringement of its users. The case did not, however, create a clear precedent that Australian ISPs could never be held liable for the copyright infringement of their users by virtue of providing an internet connection. AFACT and other major Australian copyright holders have stated their intention to appeal the case, or pursue the matter by lobbying the government to change the Australian law.
In Canada, the status of legality of file sharing is disputed, though in practice file sharing is tolerated. In addition, in the 2004 case of BMG Canada Inc. v. John Doe, court decided that both downloading music and putting it in a shared folder available to other people online were legal in Canada. It has led to harsh criticism from organizations like International Federation of the Phonographic Industry:
Canada, practically the only government of a developed country not to have implemented international copyright treaties agreed over a decade ago, is a major source of the world's piracy problem. A disproportionate number of illegal sites are hosted on Canadian soil.[3]
The People's Republic of China is known for having one of the most comprehensive and extensive approaches to observing web activity and censoring information in the world. Popular social networking sites such as Twitter and Facebook cannot be accessed via direct connection by its citizens. Mainland China requires sites that share video files to have permits and be controlled by the state or owned by state. These permits last for three years and will need renewal after that time period. Web sites that violate any rules will be subject to a 5 year ban from providing videos online.[4] One of the country's most used file sharing programs, BTChina got shut down in December 2009. It was shut down by the State Administration of Radio Film and Television for not obtaining a license to legally distribute media such as audio and video files.[5] Alexa, a company that monitors web traffic, claims that BTChina had 80,000 daily users. Being one of the primary file sharing websites for Chinese citizens, this shutdown affected the lives of many internet users in China. The Chinese government is primarily concerned with people being able to access information that has not been filtered, not the issue of copyright infringement. China has an online population of 222.4 million people and 65.8% are said to participate in some form of illegal file-sharing on websites.[6]
In November 2009, European Parliament has voted on changes to the Telecoms Package. In regards to file sharing MEPs agreed to compromise between protecting copyright and protecting user's rights. A European Parliament statement read "A user's internet access may be restricted, if necessary and proportionate, only after a fair and impartial procedure including the user's right to be heard." EU members were given until May 2011 to implement these changes into their own laws.[7]
In response to copyright violations using peer to peer file sharing or BitTorrent the content industry has developed what is known as a graduated response, or three strikes system. Consumers who do not adhere to repeated complaints on copyright infringement, risk losing access to the internet. The content industry has thought to gain the co-operation of internet service providers (ISPs), asking them to provide subscriber information for IP addresses identified by the content industry as engaged in copyright violations. Consumer rights groups have argued that this approach denies consumers the right to due process and the right to privacy. The European Parliament passed a non-binding resolution in April 2008 admonishing laws that would require ISPs to disconnect their users and would prevent individuals from acquiring access to broadband.[8][9]
In a number of European countries attempts to implement a graduated response have led to court cases to establish under which circumstances an ISP may provide subscriber data to the content industry. In order to pursue those that download copyrighted material the individual committing the infringing must be identified. Internet users are often only identifiable by their Internet Protocol address (IP address), which distinguishes the virtual location of a particular computer. Most ISPs allocate a pool of IP addresses as needed, rather than assigning each computer a never-changing static IP address. Using ISP subscriber information the content industry has thought to remedy copyright infringement, assuming that the ISPs are legally responsible for end user activity, and that the end user is responsible for all illegal activity connected to his or hers IP address.[9][10]
In 2005 a Dutch court ordered ISPs in the Netherlands to not divulge subscriber information because of the way the Dutch content industry group had collected the IP addresses (Foundation v. UPC Nederland). According to Dutch law ISPs can only be ordered to provide personal subscriber data if it is plausible that an unlawful act occurred, and if it is shown beyond a reasonable doubt that the subscriber information will identify the person who committed the infringing act. In Germany court specifically considered the right to privacy and in March 2008 the German Federal Constitutional Court ruled that ISPs could only give out IP address subscription information in case of a "serious criminal investigation". The court furthermore ruled that copyright infringement did not qualify as a serious enough offense. Subsequently, in April 2008, the Bundestag (German parliament) approved a new law requiring ISPs to divulge the identity of suspected infringers who infringe on a commercial scale. Similarly, in Sweden, a controversial file sharing bill is awaiting the Riksdag’s approval. The law, which would enter into effect on 1 April 2009, would allow copyright holders to request the IP addresses and names of copyright infringement suspects in order to take legal action against them. The copyright holders, though, should present sufficient evidence of harm to justify the release of information regarding the Internet subscribers.[11] In Italy courts established that criminally liability does not extend to file sharing copyrighted material, as long as it is not done for commercial gain. Ruling on a case involving a copyright holder employed a third party to collect IP addresses of suspected copyright infringers, the Italian Data Protection Authority ruled in February 2008 that the systematic monitoring peer-to-peer activities for the purpose of detecting copyright infringers and suing them is prohibited.[9]
In October 2009, France highest constitutional court has approved "three-strikes law"[12]
In May 2010, Irish internet provider Eircom have announced they will cut off the broadband connection of subscribers suspected of copyright infringement on peer-to-peer file sharing networks. Initially, customers will be telephoned by Eircom to see if they are aware of the illegal downloads. When customers are identified for a third time they will lose their internet connection for 7 days, if caught for a fourth time they will lose their internet connection for a year.[13]
In June 2011, the Malaysian Communications and Multimedia Commission has ordered the blocking of several websites including The Pirate Bay and several file-hosting websites via a letter dated 30 May to all Malaysian ISPs for violating Section 41 of the Copyright Act 1987, which deals with pirated content.[14]
Recording companies pursued approximately 20,000 lawsuits in 17 countries in 2009 against illegal file-sharing; however, not a single case was filed within Mexico. Because Mexico’s government has made opening legitimate businesses bureaucratic and costly, consumers have learned to count on a much cheaper means of acquiring music and other media for their entertainment. Consumers continue to illegally file share because the laws in Mexico are very weak and have not been updated in order to take into account online trade such as file sharing; therefore, intellectual property laws do not punish file sharing and Mexico’s intellectual property laws cannot affect file sharers because no money is being exchanged. The issue of file sharing is becoming especially problematic for the entertainment industry in the sense that fast broadband connections have become even more common within Mexico, doubling to 61 percent of Web-enabled Mexicans in the last two years. Although file sharing laws are almost non-existent in Mexico, Mexican legislators are considering the approval of the punishment of unauthorized file sharers with fines of up to $20,000 and ten years in jail. However, even if the laws do change in regards to file sharing, finding offenders will not be easy by any means because approximately one-third of Mexico’s Internet users go online at Internet Cafes, where several people may use the same computer every hour.[15] Ultimately, the Internet poses two challenges within Mexico: (1) the sale of counterfeit/pirate hard goods and (2) the distribution of illicit new releases, subtitles, covers, and dubbed versions of films, as well as music, software and books. There are many pirate servers that are hosted within Mexico; however, the majority of these pirate servers are based in the U.S. and Europe but administered in Mexico. According to the recording industry, Internet piracy of music dominates approximately 90% of the total music market in Mexico with Peer to Peer networks as being the most predominant form of music piracy.[16]
Peer to peer file sharing is very widespread in this north African country, especially that there are not yet laws to legislate internet sector.
Nowadays, the government is discussing a law about internet in general which will include probably some articles about file sharing. Morocco is also doing some efforts against piracy, especially by protecting copyright
In March 2009, South Korea passed legislation that gave internet users a form of three strikes for illegal file sharing with the intention of curbing online theft.[17] This is also known as graduated response. As the number of cases of illegal sharing increases, the proportion of youth involved has increased. As illegal file shares are monitored, they are sent messages instructing them to stop. If their illegal file sharing continues, their internet connection may be disconnected for up to six months.[18] The force behind this movement is the Korean National Assembly’s Committee on Culture, Sports, Tourism, Broadcasting & Communications (CCSTB&C). With help from local internet service providers, the CCSTB&C have gained access and formed communication channels to specific file sharing users.[19]
In a series of cases, Spanish courts have ruled that file sharing for private use is legal. In 2006, the record industry's attempt to criminalize file sharing were disappointed when Judge Paz Aldecoa declared it legal to download indiscriminately in Spain, if done for private use and without any profit purpose,[20][21] and the head of the police's technology squad has publicly said "No pasa nada. Podéis bajar lo que queráis del eMule. Pero no lo vendáis." ("It's ok. You can download whatever you want with eMule. But don't sell it.").[22] There have been demonstrations where the authorities has been informed that copyrighted material was going to be downloaded in a public place, the last of which took place on 20 December 2008.[23] No legal action was taken against it.[24][25][26][27][28] In another decision, in May 2009,[29] a judge ruled in favor of a person engaged in the private, non-commercial file-sharing of thousands of movies, even though the copying was done without the consent of the copyright owners.
The Spanish Supreme Court has ruled that personal data associated with an IP address could only be disclosed in the course of a criminal investigation or for public safety reasons. (Productores de Música de España v. Telefónica de España SAU).[9]
It has been reported that Spain has one of the highest rates of file-sharing in Europe.[30] In a twelve month period it was reported that there were 2.4 billion downloads of copyrighted works including music, video games, software and films in Spain. In 2010 statistics indicated that the figure for the Spanish population using file sharing sites was 30%, which was double the European average of 15%.[30]
According to record labels this had a negative impact on the industry, with investment drying up, according to IFPI head John Kennedy. For example in 2003 10 new Spanish artists appeared in the top 50 album chart, however in 2009 not a single new Spanish artist featured in the same chart. Purchases of albums dropped by two-thirds over a period of five years leading up to 2010. "Spain runs the risk of turning into a cultural desert ... I think it's a real shame that people in authority don't see the damage being done."[31]
Nevertheless, the association of music promoters states that "Music is alive" as despite the decrease in record sales the income due to concert tickets has increased a 117% in the last decade, it was €69.9 millions in 2000 whereas it increased to €151.1 millions in 2008. The number of concerts doubled itself from 71,045 in 2000 to 144,859 in 2008, and the number of people attending concerts increased from 21.8 millions in 2000 to more than 33 millions in 2008.[32]
Despite the problems endured by the entertainment industry, file sharing and torrent websites were ruled to be legal in Spain in March 2010. The judge who was responsible for the court ruling stated that “P2P networks are mere conduits for the transmission of data between Internet users, and on this basis they do not infringe rights protected by Intellectual Property laws”.[33]
File sharing has been a contentious issue in the UK and the UK government believed action would help drive the UK’s vital creative and digital sectors to bolster future growth and jobs.[34] According to a 2009 report carried out by the International Federation of the Phonographic Industry 95 per cent of music downloads are unauthorised, with no payment to artists and producers.[35] Market research firm Harris Interactive believed there to be 8.3 million file sharers in the UK. Moreover the BPI claimed that in 1999 UK music purchases totalled £1,113 million but had fallen to £893.8 million in 2008.[36] However it has also been said that there is no accurate way to know the full extent of the problem.
The Digital Economy Bill has now become the Digital Economy Act 2010 which received Royal Assent on 9 April 2010.[37] The Act may have serious repercussions for both file sharers and internet services providers.[38]
Previous cases in the UK have seen internet users fined £2500 for sharing music on the internet.[39] The Digital Economy Bill proposed that internet service providers (ISPs) issue warnings by sending letters to those illegally downloading files. Following this, the bill proposed that ISPs slow down or even suspend internet access for repeat offenders of illegal file sharing. The bill aimed to force internet service providers to disclose the identities of those offenders as well as making conditions for the regulation of copyright licensing. The Digital Economy Bill incorporated a graduated response policy despite the alleged file sharer not necessarily having to be convicted of copyright offences.[40] The bill also introduced fines of up to £50,000 for criminal offences relating to copyright infringement – for example if music is downloaded with intent to sell. The high penalty is considered to be proportionate to the harm caused to UK industries.[41] An appeals process exists whereby the accused can contest the case however concern has been expressed that this process will be costly and that, in requiring the individual to prove their innocence, the bill reverses the core principles of natural justice.[42] Similarly, a website may be blocked if it is considered that it has been, is being, or is likely to be used in connection with copyright infringement[43] meaning that a site does not actually have to be involved in copyright infringement – rather intent must be proved.
The implications of the Digital Economy Act on providers of public Wi-Fi access is uncertain. Responsibility for breaches could be passed on to the provider due to the difficulty in identifying individual users. The internet provider therefore may risk losing internet access or facing a hefty fine if an infringement of copyright takes place. Many libraries and small cafés for example may find this impossible to adhere to as it would require detailed logging of all those requiring internet access. In libraries in particular this may provide challenges to the profession’s importance of user privacy and could force changes in future policies such as Acceptable Use Policies (AUP). Public libraries utilise AUPs in order to protect creative works from copyright infringement and themselves from possible legal liability. However, unless the AUP is accompanied by the provision of knowledge on how to obey laws it could be seen as unethical, as blame for any breaches is passed to the user[44]
The hospitality sector may also be affected by the Digital Economy Act. The British Hospitality Association has stated that hotels would have particular problems in providing details of guest’s internet access to Internet Service Providers and entire hotels may face disconnection. They have also expressed their concern that an individual's actions may lead to such a drastic outcome.[45]
The bill was met with a mixed response. Geoff Taylor of the BPI claims the bill is vital for the future of creative works in the UK.[42] Moreover, the Conservative spokesman for Culture and Media stated that those illegally downloading should be given a criminal record. Conversely, Liberal Democrat spokesman for Culture and Media, Don Foster, claimed the bill was reckless and dangerous stating that children could unwittingly be file sharing causing an entire family to lose their internet connection. In addition to this, there was concern that hackers may access internet connections to illegally download files and leave the bill payer responsible.
Internet service providers were also hostile towards the bill. TalkTalk stated that suspending access to the internet breached human rights. This view may be shared by many, as a survey carried out by the BBC found that 87% of internet users felt internet access should be the "fundamental right of all people".[46] Certainly, people require access to the internet for many aspects of their life for example shopping, online banking, education, work and even socialising. Furthermore, Talk Talk Director of Regulation, Andrew Heaney has acknowledged that file sharing is a problem but the answer is to educate people and create legal alternatives. Heaney has also argued that disconnected offenders will simply create other user names to hide their identity and continue downloading. Talk Talk has claimed that 80% of youngsters would continue to download regardless of the bill and that internet service providers are being forced to police this without any workable outcomes[47]
Virgin media also criticised the Digital Economy Bill believing it to be heavy handed and likely to alienate customers. Virgin advocate government persuasion rather than force to try to eradicate the problem of illegal file sharing[48]
The bill provoked protests in many forms. The Guardian reported that hundreds were expected to march outside the House of Commons on 24 March 2010.[49] Moreover, an estimated 12,000 people sent emails to their MPs, through the citizen advocacy organisation 38 degrees. 38 degrees objected to the speed with which the bill was rushed through parliament, without proper debate, due to the imminent dissolution of parliament prior to a general election.[50] In October 2009 TalkTalk launched its Don't Disconnect Us campaign asking people to sign a petition against the proposal to cut off the internet connections of those accused of illegal file sharing.[51] By November 2009 the petition had almost 17,000 signatories[52] and by December had reached over 30,000.[53]
In addition to protests against the bill as a whole, the Pirate Party in the UK has called for non-commercial file sharing to be legalised. Formed in 2009 and intending to enter candidates in the 2010 UK general election, the Pirate Party advocates reform to copyright and patent laws and a reduction in government surveillance.[54]
In Sony Corp. v. Universal Studios, 464 U.S. 417 (1984), the Supreme Court found that Sony's new product, the Betamax (the first mass-market consumer videocassette recorder), did not subject Sony to secondary copyright liability because it was capable of substantial non-infringing uses. Decades later, this case became the jumping-off point for all peer-to-peer copyright infringement litigation.
The first peer-to-peer case was A&M Records v. Napster, 239 F.3d 1004 (9th Cir. 2001). Here, the 9th Circuit considered whether Napster was liable as a secondary infringer. First, the court considered whether Napster was contributorily liable for copyright infringement. To be found contributorily liable, Napster must have engaged in "personal conduct that encourages or assists the infringement."[55] The court found that Napster was contributorily liable for the copyright infringement of its end-users because it "knowingly encourages and assists the infringement of plaintiffs' copyrights."[56] The court analyzed whether Napster was vicariously liable for copyright infringement. The standard applied by the court was whether Napster "has the right and ability to supervise the infringing activity and also has a direct financial interest in such activities."[57] The court found that Napster did receive a financial benefit, and had the right and ability to supervise the activity, meaning that the plaintiffs demonstrated a likelihood of success on the merits of their claim of vicarious infringement.[58] The court denied all of Napster's defenses, including its claim of fair use.
The next major peer-to-peer case was MGM v. Grokster, 545 U.S. 913 (2005). In this case, the Supreme Court found that even if Grokster was capable of substantial non-infringing uses, which the Sony court found was enough to relieve one of secondary copyright liability, Grokster was still secondarily liable because it induced its users to infringe.[59][60]
It is important to note the concept of blame in cases such as these. In a pure P2P network there is no host, but in practice most P2P networks are a hybrid (see "Computer science perspective" below). This has led groups such as the RIAA to file suit against individual users, rather than against companies. The reason that Napster was subject to violation of the law and ultimately lost in court was because Napster was not a pure P2P network but instead maintained a central server which maintained an index of the files currently available on the network.
Around the world in 2006, an estimated five billion songs, equating to approximately 38,000 years in music were swapped on peer-to-peer websites, while 509 million songs were purchased online. The same study which estimated these findings also found that artists that had an online presence ended up retaining more of the profits rather than the music companies[61]
In November 2009, the U.S. House of Representatives introduced the Secure Federal File Sharing Act,[62] which would, if enacted, prohibit the use of peer-to-peer file-sharing software by U.S. government employees and contractors on computers used for federal government work.[63]
A copyright in the United States consists of the rights enumerated under 17 USC 106.[64] When having to do with pictures, music, literature or video, these rights include: 1. The right to reproduce or redistribute the picture, music, lyrics, text, video, or images of a video. 2. The right to distribute the picture, music, lyrics, text, video, or images of a video. 3. The right to produce derivative works of the copyrighted work. 4. The right to perform the work publicly. 5. The right to display the work publicly. 6. The right to transmit the work through the use of radio or digital transition. In summary, these rights become the reproduction, adaptation, publication, performance, and display of a copyrighted work.[65]
Anyone who violates the terms of a copyright has committed a crime, whether or not the work has been registered at the copyright office. If an infringement has occurred, the copyright owner has a legal right to sue the infringer for violating the terms of their copyright. The monetary value of the lawsuit can be whatever a jury decides is acceptable.
In the case of file sharing networks, many companies claim that peer-to-peer file sharing enables the violation of their copyrights. File sharing allows any file to be reproduced and redistributed indefinitely. Therefore, the reasoning is that if a copyrighted work is on a file sharing network, whoever uploaded or downloaded the file is liable for violating the copyright because they are illegally reproducing the work without permission of the copyright owner.
Currently, there are many different organizations which are trying to stop the use of file sharing networks because of their inherent ability to enable the illegal reproduction of copyrighted works. The four largest record companies, working together under the leadership of the RIAA, seek to stop peer-to-peer file sharing by attacking the use of 'shared files folders'. They claim that the making of files available for sharing on a P2P network infringes on their right under 17 USC 106(3) "to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending".[64] The counterargument is that the RIAA has failed to show evidence of copyright violations. It has not proven the dissemination of actual copyrighted works to the public. It has also failed to show the sale, transfer of ownership, rental, lease, or lending of copyrighted works by filesharing programs. All of those criteria are necessary to fulfill the distribution clause of the copyright law.[64] While the RIAA can prove that individuals have violated copyright law through the use of file sharing networks, it cannot prove that the networks as a whole are guilty of copyright violations, preventing the software from being shut down.
Since the copyright law was created before the internet, it has not proven applicable for its capabilities to grow and share responsibly and legally. Creative Commons has created licenses and tools which provide internet sites and information with a "some rights reserved" approach to the copyright law. "It makes their creative, educational, and scientific content instantly more compatible with the full potential of the internet." Their mission is to develop, support, and maximize digital creativity and sharing by creating a new legal infrastructure, specific to the internet. Google, Wikipedia, Flikr, and Whitehouse.gov, all use Creative Commons to provide the flow of information from their sites easily and legally. They are resources available to everyone that provide the online community with information and access to things that would otherwise be illegal to record, share, and contribute to. Creative Commons licenses give the authors the ability to decided how their work may be used and distributed.
Case law in this area is in its infancy.
In the United States, the RIAA, on behalf of the four largest worldwide record companies, launched an estimated 30,000 cases over a four year period, against individuals whose Internet access accounts had, according to the plaintiffs, been associated with peer-to-peer file sharing accounts using FastTrack technology, e.g., Kazaa, LimeWire, Gnutella, iMesh, and others (see Trade group efforts against file sharing). The suits are based upon a report of an Internet investigator who claims to have detected a "shared files folder". At the core ofin October, 2007. Although it initially resulted in a verdict against Jammie Thomas of $222,000 for "making available" 24 song files having a total retail value of $23.76, or less, the Judge who presided over the trial overturned the verdict, on the ground that his submission of the case to the jury under the RIAA's "making available" theory was a "manifest error of law".[66] He also criticized the size of the verdict as "wholly disproportionate" to the damages, and urged Congress to amend the Copyright Act to prevent the possibility of a recurrence.
After the Capitol v. Thomas trial, and before the decision setting the verdict aside, the Courts in Atlantic v. Brennan,[67] Elektra v. Barker,[68] above, Atlantic v. Howell,[69] and London-Sire v. Doe 1,[70] had rejected the RIAA's "making available" theory.[71] But in Barker the judge had suggested to the RIAA another theory which it might plead – "offering to distribute for purposes of redistribution". The lower courts seem to be forming a consensus that the 'making available' theory is incorrect. But the question of whether merely 'making files available' over a peer-to-peer network is actionable has yet to be decided on an appellate level. In Thomas Judge Michael J. Davis agreed most closely with the Howell, Brennan, and London-Sire analyses, and rejected the "offer to distribute" theory proffered by the judge in Barker.
The fundamental question, "what use can a P2P file-sharing network's customers make of the software and of copyrighted materials without violating copyright law", has no answer at this time, as there has been almost no dispositive decision-making on the subject.
This issue has received virtually no appellate attention, the sole exception being BMG Music v. Gonzalez,[72] a decision of the U.S. Court of Appeals for the Seventh Circuit, which held that where a defendant has admitted downloading and copying song files from other users in the P2P network without permission of the copyright holders, she cannot claim that such copying is a "fair use". Since Gonzalez involves a defendant who had admitted to actual copying and downloading of songs from other unauthorized users, it is of limited applicability in contested cases, in that it relates solely to the reproduction right in 17 USC 106(1), and has no bearing on the 17 USC 106(3) distribution right.
A series of cases dealing with the RIAA's "making available" theory has broad implications, not only for the subject of P2P file sharing but for the Internet at large. The first to receive a great deal of attention was Elektra v. Barker,[73] an RIAA case against Tenise Barker, a Bronx nursing student. Ms. Barker moved to dismiss the complaint, contending, among other things, that the RIAA's allegation of "making available" did not state any known claim under the Copyright Act.[74][75] The RIAA countered with the argument that even without any copying, and without any other violation of the record companies' distribution rights, the mere act of "making available" is a copyright infringement, even though the language does not appear in the Copyright Act, as a violation of the "distribution" right described in 17 USC 106(3).[76] Thereafter, several amicus curiae were permitted to file briefs in the case, including the MPAA, which agreed[77] with the RIAA's argument, and the Electronic Frontier Foundation (EFF), the U.S. Internet Industry Association (USIIA), and the Computer & Communications Industry Association (CCIA), which agreed with Ms. Barker.[78][79] The US Department of Justice submitted a brief refuting one of the arguments made by EFF,[80] but did not take any position on the RIAA's "making available" argument, noting that it had never prosecuted anyone for "making available".[81] The Elektra v. Barker case was argued before Judge Kenneth M. Karas in Manhattan federal court on 26 January 2007,[82] and decided on 31 March 2008.[83]
The decision rejected the RIAA's "making available" theory but sustained the legal sufficiency of the RIAA's pleading of actual distribution and actual downloading. Additionally, the Court suggested to the RIAA that it might want to amend its complaint to include a claim for "offering to distribute for purposes of distribution", but gave no guidance on what type of evidence would be required for an "offer". The Court's suggestion that merely "offering" to distribute could constitute a violation of the Act has come under attack from William Patry, the author of the treatise Patry on Copyright.[84]
Three other decisions, also rejecting the RIAA's "making available" theory, came from more unexpected sources.
The Barker decision was perhaps rendered anticlimactic by the decision of Judge Janet Bond Arterton, from the District of Connecticut, handed down six weeks earlier, in Atlantic v. Brennan,[85] rejecting the RIAA's application for a default judgment. Brennan, like Barker, rejected the RIAA's "making available" theory, but unlike Barker it found the RIAA's specificity on the other issues to be insufficient, and it rejected the conceptual underpinnings upon which Judge Karas based his "offer to distribute" idea.
And Barker was perhaps overshadowed by the decision of Judge Gertner, rendered the same day as the Barker decision, in quashing a subpoena served on Boston University to learn the identity of BU students, in London-Sire v. Doe 1.[86] Here too the Court rejected the RIAA's "making available" theory, but here too—like Atlantic but unlike Elektra – also rejected any possible underpinning for an "offer to distribute" theory.
And then came the decision of the District Judge Neil V. Wake, in the District of Arizona, in Atlantic v. Howell.[87] This 17-page decision[69] – rendered in a case in which the defendant appeared pro se (i.e., without a lawyer) but eventually received the assistance of an amicus curiae brief and oral argument by the Electronic Frontier Foundation[88]-- was devoted almost exclusively to the RIAA's "making available" theory and to the "offer to distribute" theory suggested by Judge Karas in Barker. Atlantic v. Howell strongly rejected both theories as being contrary to the plain wording of the Copyright Act. The Court held that "Merely making a copy available does not constitute distribution....The statute provides copyright holders with the exclusive right to distribute "copies" of their works to the public "by sale or other transfer of ownership, or by rental, lease, or lending." 17 U.S.C. ...106(3). Unless a copy of the work changes hands in one of the designated ways, a "distribution" under ...106(3) has not taken place." The Court also expressly rejected the 'offer to distribute' theory suggested in Barker, holding that "An offer to distribute does not constitute distribution".[89]
The next critical decision was that in Capitol v. Thomas, which had received a great deal of media attention because it was the RIAA's first case to go to trial, and probably additional attention due to its outsized initial jury verdict. The RIAA had prevailed upon the trial judge to give the jurors an instruction which adopted its "making available" theory,[90] over the protestations of the defendant's lawyer. Operating under that instruction, the jury returned a $222,000 verdict over $23.76 worth of song files.[91] Almost a year after the jury returned that verdict, however, District Judge Michael J. Davis set the verdict aside, and ordered a new trial, on the ground that his instruction to the jurors—that they did not need to find that any files were actually distributed in order to find a violation of plaintiffs' distribution right—was a "manifest error of law".[66] The Judge's 44-page decision agreed with Howell and London-Sire and rejected so much of Barker as intimated the existence of a viable "offer to distribute" theory.
There may be indications that the RIAA has been jettisoning its "making available" theory. In a San Diego, California, case, Interscope v. Rodriguez, where the Judge dismissed the RIAA's complaint as "conclusory", "boilerplate", "speculation", the RIAA filed an amended complaint which contained no reference at all to "making available".[92] In subsequent cases, the RIAA's complaint abandoned altogether the "making available" theory, following the model of the Interscope v. Rodriguez amended complaint.
In its place, it is apparently adopting the "offer to distribute" theory suggested by Judge Karas. In the amended complaint the RIAA filed in Barker, it deleted the "making available" argument—as required by the judge—but added an "offer to distribute" claim, as the judge had suggested.[93] It remains to be seen if it will follow that pattern in other cases.
Secondary liability, the possible liability of a defendant who is not a copyright infringer but who may have encouraged or induced copyright infringement by another, has been discussed generally by the United States Supreme Court in MGM v. Grokster,[60] which held in essence that secondary liability could only be found where there has been affirmative encouragement or inducing behavior. On remand, the lower court found Streamcast, the maker of Morpheus software, to be liable for its customers' copyright infringements, based upon the specific facts of that case.[94]
Under US law "the Betamax decision" (Sony Corp. of America v. Universal City Studios, Inc.), holds that copying "technologies" are not inherently illegal, if substantial non-infringing use can be made of them. Although this decision predated the widespread use of the Internet, in MGM v. Grokster, the U.S. Supreme Court acknowledged the applicability of the Betamax case to peer-to-peer file sharing, and held that the networks could not be liable for merely providing the technology, absent proof that they had engaged in "inducement."
In 2006 the RIAA initiated its first major post-Grokster, secondary liability case, against LimeWire in Arista Records LLC v. Lime Group LLC, where the United States District Court for the Southern District of New York held that LimeWire induced copyright infringement and granted a permanent injunction against LimeWire.
The Electronic Frontier Foundation (EFF) seeks to protect and expand digital rights through litigation, political lobbying, and public awareness campaigns. The EFF has vocally opposed the RIAA in its pursuit of lawsuits against users of file sharing applications and supported defendants in these cases. The foundation promotes the legalization of peer-to-peer sharing of copyrighted materials and alternative methods to provide compensation to copyright holders.[95]
In September 2008 the organization marked the 5th 'anniversary' of the RIAA's litigation campaign by publishing a highly critical, detailed report, entitled "RIAA v. The People: Five Years Later",[96] concluding that the campaign was a failure.
Several months later, it was reported that the RIAA was suspending its litigation campaign.[97] This was followed by a report that it had fired its investigative firm, SafeNet (formerly MediaSentry).[98] Some of the details of the reports, including claims that the RIAA had actually stopped commencing new lawsuits months earlier, and that its reason for doing so was that it had entered into tentative agreements with Internet service providers to police their customers, proved to be either inaccurate or impossible to verify. (See, e.g. "Questions about New York State Attorney General agreement with record labels", Recording Industry vs. People, 1 January 2009[99] and "RIAA claim not to have filed new cases "for months" is false", Recording Industry vs. The People, 19 December 2008[100])